Monday, September 9, 2013

'Brief History of the Comic Book' Readings


I found ‘Plastic Man’ very strange. It has the wonderful art of Jack Cole, but a bizarre main character, at least to me. I do, however quite like that Plastic Man and his sidekick Woozy Winks (what a name!) are reformed villains, turning around their previous lives of crime. Even with words this comic is filled with exaggerated motions. With Plastic Man being able to stretch any part of his body, there are a lot of panel with very scary anatomy. His super power though keeps the artist from having to worry about proper proportions too much. Often times some of his stretching seems unnecessary and he’s just either showing off his rubber abilities or it’s impossible for him to maintain a regular human structure for too long.

Tintin has a very whimsical style that plays well with the personalities of the characters. Adventurous and stubborn Tintin, soft but sassy Snowy, scruffy and usually grumpy Captain Haddock, to the exaggerated mustache of friendly Professor Calculus. The line work is simple and direct. (Captain Haddock actually reminds me a bit of Doctor McCoy from Star Trek) The story flows smoothly through the panels with no confusion and the humor helps keep the comic light hearted.

Scrooge McDuck keeps the Disney feel with wacky half-dog/human characters and its classic art style. In ‘Crown of the Mayans’ Scrooge drags Donald Duck along with his three nephews on a silly adventure through Mayan ruins in hopes of joining an Archeologist Club. They have to outsmart non-scary villains hoping to steal the same treasure that Scrooge is after. I wasn’t very interested in the story aspect while reading, but I do remember enjoying the tv show ‘Duck Tales’ as a kid.

I felt that the film ‘Chasing Amy’ spent less time focusing on the comic book making aspect and more on the fact that no one could accept that Joey Lauren Adams’ character was actually bisexual. I can understand how being bi was hard to grasp in that time (which wasn’t that long ago at all) but everyone had this square cutout idea of “this is gay, and this is straight, and never the twain shall meet.” The movie had a misogynistic overtone until the very, very end. At which point Ben Affleck’s character stops being an asshole and uses his experience to create a comic book with personal meaning and rekindle his passion for the pure art of comics, regardless of payout. 

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